SHOT1
- Plate photography (Canon 5D MKII)
- 3D camera tracking (Pftrack)
- Surface modeling using cloudpoint (Nuke)
- Matte painting (Photoshop). Used some personal photos taken in Jordan as reference material.
- Texturing and shading of 3d models (3DSMax) (originally modeled for another personal project http://www.marsexpedition1.com)
- Character animation using motion capture and traditional animation (3DSMax)
- Lighting and rendering using Vray (3DSMax)
- Dust FX created with FumeFX (3DSMax)
- Compositing (NUKE)
SHOT2
- 3D camera tracking (Nuke). I recorded footage with a real camera and tracked it to create a realistic animation
- Matte painting (Photoshop)
- 3D volumetric clouds (Vue)
- Animation, rendering, texturing, lighting and rendering (3DSMAX, Vray)
- Compositing (NUKE)
SHOT3 “Boabdil” test footage (directed by Antonio Banderas)
- 3D modeling (3DSMAX)
- Matte painting (photoshop)
- Camera mapping and compositing (Nuke)
- Colour grading and finishing (After Effects)
SHOT4
- Plate photography (Canon 5D MKII)
- 3D camera tracking (Nuke).
- Matte painting (Photoshop). Used some personal photos taken in Hawaii as reference material.
- Animation, rendering, texturing, lighting and rendering (3DSMAX, Vray)
- Compositing (NUKE)
SHOT 5 Justin And the Knights of Valour
- Matte painting (Photoshop)
- 3D stereo compositing (SGO Mistika)
- Colour grading and Finishing
SHOTS 6 to 14 and 17 to 20 Justin And the Knights Of Valour
- Colour grading and finishing (SGO Mistika) I did personally the colour grading and finishing of the roughly 1700 shots of this movie (both in 2D and 3D versions)
SHOTS 15-16 The Lady and the Reaper
- 3D Stereo Compositing (Nuke)
- Colour Grading and Finishing (Baselight)